Censorship in Cambodia is often tied to upholding a certain image of the country. Reaksmey Yean highlights how this sort of action can come both from the authorities as well as citizens. Read More »
Sa isang masaklaw at pangkasaysayang pagsusuri ng sensura sa Pilipinas, mula kay Marcos (Senior) hanggang kay Marcos (Junior), inilalatag ni Katrina Stuart Santiago ang mito ng kalayaang pansining sa Pilipinas. Sa proseso, tinutukoy niya ang lumalaking konserbatismo, at panibagong mga paraan ng pagsesensura. Read More »
The key findings and analysis of artistic freedom in Malaysia from the Southeast Asian Arts Censorship Database Project, 2010 - 2022. Read More »
The key findings and analysis of artistic freedom in Vietnam from the Southeast Asian Arts Censorship Database Project, 2010-2022. Read More »
The key findings and analysis of violations of artistic freedom in Malaysia, Thailand, Indonesia, Vietnam, Cambodia and The Philippines from the Southeast Asian Arts Censorship Database Project, 2010-2022. Read More »
The key findings and analysis of artistic freedom in Thailand from the Southeast Asian Arts Censorship Database Project, 2010-2022. Read More »
The key findings and analysis of artistic freedom in The Philippines from the Southeast Asian Arts Censorship Database Project, 2010 - 2022. Read More »
The key findings and analysis of artistic freedom in Indonesia from the Southeast Asian Arts Censorship Database Project, 2010 - 2022. Read More »
The key findings and analysis of artistic freedom in Cambodia from the Southeast Asian Arts Censorship Database Project, 2010 - 2022. Read More »
Zikri Rahman examines the evolving nature of censorship in Malaysia through the lens of participatory censorship, with illustrations by Low Pey Sien. Read More »
Katrina Stuart Santiago demonstrates how recent incidents of artistic censorship in the Philippines have focused on the silencing of female and LGBTQIA+ voices.
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While Papuan cinema takes its place on the world stage, it is still viewed with distrust in Indonesia. Adrian Jonathan Pasaribu traces how and why Papua’s people continue to be excluded from the national narrative.
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