Katrina Stuart Santiago demonstrates how recent incidents of artistic censorship in the Philippines have focused on the silencing of female and LGBTQIA+ voices.
Read MorePapuan Cinema in a Time of Oppression
While Papuan cinema takes its place on the world stage, it is still viewed with distrust in Indonesia. Adrian Jonathan Pasaribu traces how and why Papua’s people continue to be excluded from the national narrative.
Read MoreCensorship Snapshot: Image of Authority
Linh Le speaks to Dat Vu, a Ho Chi Minh City-based artist who works mainly with photography, about his experience with censorship.
Read MoreCensorship Snapshot: Unclear Guidelines
Artist Ngo Dinh Bao Chau shares her experience with the ambiguous censorship guidelines in Vietnam with curator Linh Le.
Read MoreTranslating the Sacred and the Profane
Zikri Rahman takes us on a short tour of the way that artists have used symbols of statehood to commemorate, challenge and expand the idea, and meaning of nationhood in Malaysia.
Read MoreGen X to Gen Z: Generational Differences in the Shaping of Cambodia’s Cultural Preservation Policies
In Cambodia, most cases of arts censorship are linked to the notion of protecting and preserving culture. Kai Brennert examines how different generations of civil servants and policymakers are shaped by their lived experiences, which in turn influence their view of “cultural preservation”.
Read Moreartn’t: Thailand’s Rebel Artists
Nutcha Tantivitayapitak and Sudarat Musikawong travel to Chiang Mai, Thailand to shine a light on the artn’t Collective, who are currently facing numerous legal charges for works that are viewed as critiquing the state.
Read MoreThe Art of Exhibition Licencing in Vietnam
In a country with opaque requirements for what can and cannot be shown, Linh Le highlights how something as seemingly straightforward as obtaining an exhibition licence may be used to control artistic expression in Vietnam.
Read MoreNghệ thuật Xin giấy phép Triển lãm ở Việt Nam
Tại một đất nước như Việt Nam, nơi có những yêu cầu không rõ ràng về việc trưng bày, Linh Lê nhấn mạnh rằng chỉ cần một thứ tưởng chừng đơn giản như xin giấy phép triển lãm có thể trở thành một cách kiểm duyệt biểu đạt nghệ thuật.
Read MoreFinding Ratna Asmara and the Herstory of Indonesian Cinema
The tale of a pioneering woman Indonesian filmmaker converges with the mission of a group of women film researchers, as Adrian Jonathan Pasaribu highlights how archives and historical records often render some stories invisible.
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